In the film, Cummings plays Deputy John Marshall, who is unraveling from the stress of investigating a series of brutal murders of women in his sleepy ski community. Thanks for listening! Don’t forget to subscribe.Cummings is the writer, director and star of “The Wolf of Snow Hollow,” a psychological drama wrapped in a gory werewolf movie, which is opening in theaters across the country - including at several Megaplex Theatres locations in Utah - on Friday. This can counter your screenplay fatigue while bringing a whole new perspective to your project. When you're deep in the trenches of your screenplay, you'll likely get tired of reading & re-reading the same material and lose objectivity - instead, find a way to bring it to a new platform. Sometimes he'll rent a cabin with his friends and make an event out of it. This is pretty brilliant as a way to kick the tires on your own material because sometimes you need to hear the material performed, or even perform it yourself, to know what it needs to work. Jim and his writing partner PJ do a fascinating thing with their scripts prior to shooting - they will perform the entire script, record it, score it then listen to it to see where the lulls are and what could be better. Find a way to pre-visualize pre-experience the tone and trajectory of your movie.The lesson here is to never rest on your laurels and to keep pushing your movies forward with or without your agency. Only after making that movie did Hollywood really come knocking, and he was able to make Wolf of Snow Hollow for a couple million dollars. Despite being signed with WME, Jim bootstrapped, kickstarted, and then equity-funded his first feature, cobbling together about $200k. Typically agencies make a cut of the total budget of a project, so they're usually less interested in pursuing smaller budgeted indies that's ok you don't always need them. Once you're signed, it's critical that you keep that indie spirit going and get your projects made. I've heard of this happening to more filmmakers than I'd care to admit. Unfortunately, this is the rule and not the exception for many directors who are signed, even to major agencies - you can enter a desert and waste years at a time just sitting on your hands waiting for your agency to bring you something.
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